
Photo by Silia Psychi.
In 1966, American writer John Barth wrote Giles Goat-Boy, an 800-page meta-fictional novel where the university becomes a metaphor for the universe and the main character is a boy who was raised as a goat. Curated by Artemis Baltoyanni, the exhibition at the Gagosian occupies the gallery's main space on Merlin street, but also an extra space on Herodotou street nearby; all the works at the exhibition share Giles Goat-Boy's dark humour and examine in one way or another "the artist's vexed struggle with the muse."



Josh Kline, Forever 27 (Kurt), 2013. Installation view, 47 Canal, New York HD video, sound, color, 14:39 min. Light-box display: Plexiglass, LED lights, MDF, plywood, HD television, media player, SD card. Image courtesy of the artist and 47 Canal, New York. Photo: Joerg Lohse.
Louise Bonnet, The Daisy, 2016. Oil on canvas. 60 x 72 inches (152.4 x 182.9 cm). Courtesy of Louise Bonnet and MIER Gallery.
Frances Stark, Welcome, Plan of Action, 2014. Acrylic and collage on paper 32-1/2 x 25-1/4 x 1-3/4 inches (82.6 x 64.1 x 4.4 cm). Image courtesy the artist and Marc Foxx Gallery, Los Angeles. Photo by Robert Wedemeyer.
Participating artists: FLAME, Louise Bonnet, Maurizio Cattelan, Dan Finsel, Apostolos Georgiou, Matthew Hansel, Anna K.E., Sanya Kantarovsky, Josh Kline, Friedrich Kunath, Calvin Marcus, Frances Stark, Andra Ursuta, Jan Kiefer, Nicolas Grenier, and Cindy Sherman.
Credits
Words
EPITOME
Photos
Silia Psychi
Courtesy Gagosian Gallery Athens
Cover photo
Anna K.E. Intangible Economies Of Desires #1, 2016

Tell us what you think...